Reborn as a Vending Machine I Now Wander the Dungeon Fan Art
Review
by Theron Martin,Reborn as a Vending Car, I Now Wander the Dungeon
Novel 1
He was a true vending machine otaku, so it simply seemed natural to him that his death should come from being crushed under a falling vending automobile. More strangely, he finds himself reincarnated as a vending car out in the middle of the wilderness. He can see and hear simply can't move, and the only things he tin say are the canned phrases that Japanese vending machines exclaim. He tin dispense various products though, and he shortly discovers that he can dispense whatsoever product he's e'er bought from a vending car and sustain his beingness through points earned past coins existence inserted into him. His motility problem is solved when he encounters Lammis, a busty young hunter imbued with strength incredible enough that she can easily carry him around on her back. She names him Boxxo, and he becomes an indispensable asset to her adventures in a massive dungeon. | ||||||||
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| Synopsis: |  | ||
| He was a true vending automobile otaku, so it only seemed natural to him that his death should come up from being crushed under a falling vending machine. More strangely, he finds himself reincarnated as a vending machine out in the center of the wilderness. He tin run across and hear but can't move, and the simply things he tin say are the canned phrases that Japanese vending machines exclaim. He can manipulate various products though, and he soon discovers that he can dispense whatsoever production he'south ever bought from a vending motorcar and sustain his existence through points earned by coins existence inserted into him. His movement problem is solved when he encounters Lammis, a busty young hunter imbued with force incredible enough that she tin can easily comport him effectually on her back. She names him Boxxo, and he becomes an indispensable asset to her adventures in a massive dungeon. | |||
| Review: | |||
| When it comes to vending machines, Due north America simply cannot compare to Japan. They are far more ubiquitous over in that location, offering options that you will rarely or never see in vending machines in usa; during my own trip to Japan, I even encountered a vending machine selling hot dogs and French chips. Then this is probably a story that could simply have been written from a Japanese perspective. This isn't fifty-fifty the kickoff story almost someone beingness reborn as a vending auto to come up out of Japan; run across also the 2009 OVA Coffee Samurai, about a medieval samurai who gets reborn in the modern era every bit a java vending car. To my cognition, this is the commencement advent of that gimmick amidst the pop reincarnation variations on isekai stories, and at least the first case of someone being reborn in a fantasy world as a sentient magic item to be released in English. Information technology sits at the uttermost fringe of a genre that has already seen crazy twists like a middle-anile human reborn as a little girl, a man reborn as a slime monster, and a high schoolhouse girl reborn every bit a spider monster. But even more remarkably, this concept actually works. Writer Hirukuma explains in the afterword that this was far from his offset attempt to get something published, and by the terminate of the novel it's piece of cake to understand why this attempt broke through when others didn't. It's memorable in part because information technology tackles a fresh angle; this reincarnated protagonist isn't an action hero, but rather a lead who distinguishes himself through clever use of commerce. Once he discovers that he can collect points by taking in copper, silverish, or gold coins and use those points both to sustain himself and upgrade his features, he dedicates himself to choosing appropriate items that will sell well to those he meets and even tweaking prices equally the situation warrants. He also devotes considerable try to finding means to communicate his meaning through the utilise of limited phrases similar "welcome" (for yes), "besides bad" (for no), and and so forth. And he does all of this without employing any special abilities beyond a defensive force field and some color-changing techniques that he afterwards learns to use for camouflage. He'southward and so skilful at ingratiating himself to those who meet him that the (literal) bear of a Hunter'south Clan leader regards him as a crucial asset. All of this comes with generous doses of vending automobile otaku trivia and total embrace of the civilization stupor that a modern Japanese device would cause in a fantasy setting, although mercifully the storytelling emphasizes this less after the commencement few examples. Some other major component that'south crucial to the novel'southward success is the relationship that Boxxo forms with Lammis. Hirukuma does an impressive job justifying their mutually beneficial relationship without resorting to hackneyed gimmicks. Lammis is so ridiculously stiff from her Blessing of Might that she tin't easily manage her own forcefulness, and so carrying a heavy object like a vending machine around actually makes her more stable. I know from personal experience that lighter-weight vehicles role better on snowy roads with substantial weight in their trunks, so it makes sense forth that line of thinking. The fashion each helps the other out in an unconventional way is sweetness in its own way, leading to an virtually loving bond that forms between them. Hirukuma's writing style is also engaging. He favors a coincidental beginning-person style that's fairly common in these kind of stories, but different in many other cases, the perspective entirely remains Boxxo'southward, which allows for amusing running commentary as he attempts to justify some of the purchases he made when he was human. Hirukuma relies a little likewise much on forcing common Japanese conventions into a fantasy setting, such as a sequence of jokes about drinking milk after a dip in a public bath, but he balances that out past having characters carry with appropriate intelligence to their strange situation. More than setting details would exist desirable, simply limiting the globe information to Boxxo's perspective is the strongest option. While it's certainly present, the RPG theming of this novel is much more limited than in comparable isekai works. Hirukuma has besides clearly washed his homework, equally one key plot development late in the story is based on a particular type of vending machine that simply appeared briefly in Tokyo back during the 1960s. And yeah, there is a flake of fanservice shoehorned in likewise, since vending machines in public baths are hardly unusual. And who would experience a demand to be modest around a vending car, even if information technology was known to be sentient? Yen Press produces the volume with its usual quality: a handful of glossy color pages upward front, numerous black-and-whites with average artistry scattered throughout, and an afterword at the finish. In the latter, Hirukuma describes how he transitioned from being a family business operator to a writer and how personal tragedy played a key role in that. His hard-won success story is heartening. This novel'southward bizarre concept is what volition catch people's attention, but the writing is skillful enough to continue it. The kickoff volume makes the concept work better than information technology probably should, but I am left a lilliputian worried nigh what more the story tin exercise with its premise after this. At least one volume in, it's a satisfying read. |
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| Overall : B Story : B Art : B + Intriguing variation on an overworked concept, well-handled execution of its unique premise | |||
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